I’m excited to share a glimpse into my upcoming album, Music for Bees, an orchestral work born from the intersection of storytelling and sound experimentation. Initially conceived for a narrative project that remained behind the veil, the music soon took on a life of its own—a meditation on communication, movement, and the hidden order within chaos.

At its core, Music for Bees is an exploration of how an orchestra can breathe, shimmer, and pulse like a living organism. Woodwinds and horns form the heart of this sound world, performing extended articulations that blur the line between melody and motion. Through buzzing overtones, clustered swells, and aleatoric gestures, the ensemble becomes a vast hive—alive, unpredictable, and constantly shifting.

What began as a series of sketches to underscore a story gradually transformed into a study of collective behavior. Each cue became less about character and plot, and more about resonance—how individual voices merge into something greater, how noise becomes language, how chaos finds its own fragile balance.

Music for Bees grew in the same way a hive does: through instinct, vibration, and shared purpose. The result is a body of work that feels both organic and architectural, delicate yet teeming with life.

More soon.